Art Created By Guantanamo Detainees Now Belong to the US Gov’t

A painting of a ship at sea. The artist is Ghaleb al-Bihani, a former Guantanamo prisoner who was released in January 2017.

A painting by former Guantanamo prisoner Ghaleb al-Bihani, who was released in January 2017.
Photo courtesy of Justin Norman via Flickr CC.

A popular art exhibition in New York that features works by Guantanamo detainees has caused the Department of Defense to ban all art from leaving the prison pending further review of its policy on the matter.

Ode to the Sea, which opened on Oct. 2, 2017 and will run through January 26, 2018, is a collection of sea-themed drawings, paintings, and sculptures by eight current and former Guantanamo inmates (four of which are no longer in captivity). The artwork is centered on the theme of freedom, with the sea acting as a metaphor for liberation.

“It’s easier to humanize an image of the sea than it is to humanize the man who painted it. I think that’s the power of this exhibition,” said co-curator Charles Shields. “The Pentagon’s response has proven how powerful the work is. It proves how powerful art is.”

But according to U.S. military officials, the decision to halt artwork from leaving the prison has nothing to do with the content of the works themselves, but rather the fact that they’ve been put up for sale.

In an interview with the Miami Herald, Air Force Maj. Ben Sakrisson said that Department of Defense officials “were not previously aware that detainee artwork was being sold to third parties,” which is why the Pentagon decided to ban the distribution of inmate artwork until the matter can be reviewed in further detail. Sakrisson referred to the works as property of the U.S. government.

Several arts organizations and civil rights groups have since condemned the military’s decision. Of particular note is the National Coalition Against Censorship, which issued the following statement on November 28, 2017:

“This baseless policy change uses art as a political football in an effort to prevent these works—and a deeper understanding of those who created them—from informing public discussion of the policies the U.S. government makes in its citizens’ names. We condemn this attempt to obstruct the American public discourse essential to a democratic and open society.”

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